铜鼎描写纤细，生动逼真，鼎的全体就是神兽的全部。首部，有着相似麋鹿一样的犄角，野猪的獠牙，公牛的眼睛，铜鼎把几种植物的特征糅到一同，构成这样的牺首；腹部就是神兽圆鼓鼓的身体，可以放比拟多的祭品；双耳本是提手，在这里似乎成了同化的翅膀，很有动感；尾部变化成龙，仅作爲装饰存在，让一只神兽趋于完好的构思；三只足铜鼎像牛羊等植物的蹄子，这是神兽的标志，也是铜鼎的制造需求。（铜大缸定制厂家）铜鼎反映出事先六安地域的青铜造型艺术，已从庄严庄严的楚大铜鼎开端向世俗审美的牺首铜鼎转变，反映了发生于这一地域共同的青铜文明，也在一定水平上反映社会提高和古人思想不时生长的进程。铜鼎是从陶制的三足鼎演化而来的，最后用来烹煮食物，后次要用于祭奠和宴享，是商周时期最重要的礼器之一。这件铜鼎爲商代前期制品，至今器底仍保管有烟复。全体装饰冗杂、精密，圆润的鼎身配以圆涡纹、风鸟纹、蝉纹等纹样，造型和装饰协调自然，可谓商代铜鼎中的佳作。

The bronze tripod is delicate and vivid. The whole of the tripod is the whole of the gods and beasts. In the first part, there are elk-like horns, boar's tusks, bull's eyes and copper tripod, which combine the characteristics of several plants to form such a head; the abdomen is the round body of the animal, which can hold comparable sacrifices; the ears are hands, which seem to be assimilated wings here, very dynamic tail; Chan Chang, only as a decorative existence, so that a god beast tends to be intact concept; three-legged copper tripod like cattle and sheep and other plant hooves, which is the symbol of God beast, but also the manufacturing needs of copper tripod. The bronze tripod reflects the bronze plastic arts in Lu'an area in advance. It has changed from the solemn Chu bronze tripod to the secular bronze tripod. It reflects the common bronze civilization in this area, and also reflects the process of social improvement and the growth of ancient people's thoughts to a certain extent. Copper tripod evolved from pottery tripod, which was used for cooking food, followed by sacrifices and feasts. It was one of the most important ceremonial utensils in Shang and Zhou Dynasties. This copper tripod is a product of the early Shang Dynasty. It still keeps cigarette smoke at the bottom of the vessel. The whole decoration is miscellaneous and precise. The round tripod body is matched with such patterns as circle eddy pattern, wind bird pattern and cicada pattern. Its shape and decoration are harmonious and natural. It is a masterpiece of copper tripod in Shang Dynasty.